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UNIVERSITY 
OF  VICTORIA 
LIBRARY 


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.ytil 


ENOUGH  ROPE 

Poems 


Copyright,  1926,  by 

Horace  Liveright,  Inc. 


All  Rights  of  Reproduction  Reserved 


First  printing,  December,  1926 
Nineteenth  printing,  December,  1929 
Twentieth  printing,  July,  1930 
Twenty-first  printing,  September,  1930 
Twenty-second  printing,  February,  1931 


Printed  in  the  United  States  of  America 


To 

£linor  Wylie 


The  verses  in  this  book  were  first 
printed  in  Life,  Vanity  Fair,  The  New 
Yorker,  and  The  New  York  World. 


Contents 


PART  I 


Threnody . 

The  S&iall  Hottrs  .  . 

The  False  Friends 
The  Trifler  .  .  .  . 

A  Very  Short  Song  . 

A  Well-Worn  Story 
Convalescent  .  .  .  . 

The  Dark  Girl’s  Rhyme 
Epitaph  .  .  .  . 

Light  of  Love  .  .  .  . 

Wail  . 

The  Satin  Dress. 
Somebody’s  Song  . 

Anecdote . 

Braggart  . 


Epitaph  for  a  Darling  Lady 
To  A  Much  Too  Unfortunate  Lad 
Paths  .... 

Hearth  SIDE 
The  New  Love 
Rainy  Night  . 

For  a  Sad  L^vdy 
Recurrence 
Story  of  Mrs.  W — 

The  Dramatists  . 

August  .... 

The  White  Lady  . 

I  Know  I  Have  Been  Happiest 
Testament  . 

“I  Shall  Come  Back’ 

Condolence 
The  Immortals 
A  Portrait 


PAGE 

11 

12 

13 

14 

15 

16 

17 

18 
20 
21 
22 

23 

24 

25 

26 

27 

28 

29 

30 

31 

32 

34 

35 

36 

37 

38 

39 

40 

41 

42 

43 

44 

45 


PART  II 


Portrait  of  the  Artist . 

Chant  for  Dark  Hours . 

Unfortunate  Coincidence . 

Verse  Reporting  Late  Arrival  at  a  Conclusion  . 
Inventory . 

1:73 


49 

60 

51 

52 

53 


PACE 

Now  AT  Liberty . 54 

Comment . .  •  55 

Plea . 56 

Pattern . 57 

De  Profundis . 58 

They  Part . 59 

Ballade  of  a  Great  Weariness . 60 

RfisuMi: . 61 

Renunciation . 62 

Day-Dreams . 63 

The  Veteran . 65 

Prophetic  Soul . 66 

Verse  fob  a  Certain  Dog . 67 

Folk  Tune . 68 

Godspeed . 69 

Song  of  Perfect  Propriety . 70 

Social  Note . 72 

One  Perfect  Rose . 73 

Ballade  at  Thirty-five . 74 

The  Thin  Edge . 75 

Spring  Song . 76 

Love  Song . 77 

Indian  Summer . 78 

Philosophy . 79 

Fob  an  Unknown  Lady . 80 

The  Leal  . . 81 

Finis  . . 82 

Words  of  Comfort  to  be  Scratched  on  a  Mirror  ...  83 

Men . 84 

News  Item . 85 

Song  of  One  of  the  Girls . 86 

Lullaby . 87 

Faut  de  Mieux . 88 

Roundel  . 89 

A  Certain  Lady . 90 

Observation . 91 

Symptom  Recital . 92 

Fighting  Words . 93 

Rondeau  Redouble: . 94 

Autobiography . 95 

The  Choice . 90 

Ballade  of  Big  Plans . 97 

Generai.  Review  of  the  Sex  Situation . 99 

Inscription  for  the  Ceiling  of  a  Bedroom . 100 

Pictures  in  the  Smoke . lOl 

Biographies . .102 

Nocturne . . 

Interview  .  . !  .  !  106 

Song  in  a  Minor  Key . 107 

Experience .  !  !  108 

Neither  Bloody  nob  Bowed . 109 

The  Burned  Child .  *  110 


PART  ONE 


Threnody 


Lilacs  blossom  just  as  sweet 
I  Now  my  heart  is  shattered. 
If  I  bowled  it  down  the  street. 
Who’s  to  say  it  mattered? 

If  there’s  one  that  rode  away 
What  would  I  be  missing? 

Lips  that  taste  of  tears,  they  say. 
Are  the  best  for  kissing. 

Eyes  that  watch  the  morning  star 
Seem  a  little  brighter; 

Arms  held  out  to  darkness  are 
Usually  whiter. 

Shall  I  bar  the  strolling  guest. 
Bind  my  brow  with  willow. 

When,  they  say,  the  empty  breast 
Is  the  softer  pillow? 

That  a  heart  falls  tinkling  down. 
Never  think  it  ceases. 

Every  likely  lad  in  town 
Gathers  up  the  pieces. 

If  there’s  one  gone  whistling  by 
Would  I  let  it  grieve  me? 

Let  him  wonder  if  I  lie; 

Let  him  half  believe  me. 


The  Small  Hours 


NO  more  my  little  song  comes  back; 

And  now  of  nights  I  lay 
My  head  on  down,  to  watch  the  black 
And  wait  the  unfailing  gray. 


Oh,  sad  are  winter  nights,  and  slow; 

And  sad’s  a  song  that’s  dumb; 
And  sad  it  is  to  lie  and  know 
Another  dawn  will  come. 


1:12:1 


The  False  Friends 


ri'^HEY  laid  their  hands  upon  my  head 
A  They  stroked  my  cheek  and  brow; 
And  time  could  heal  a  hurt^  they  said^ 
And  time  could  dim  a  vow. 

And  they  were  pitiful  and  mild 
Who  whispered  to  me  then, 

**The  heart  that  breaks  in  April,  child. 
Will  mend  in  May  again/* 

Oh,  many  a  mended  heart  they  knew. 

So  old  they  were,  and  wise. 

And  little  did  they  have  to  do 
To  come  to  me  with  lies! 

Who  flings  me  silly  talk  of  May 
Shall  meet  a  bitter  soul; 

For  June  was  nearly  spent  away 
Before  my  heart  was  whole. 


The  Trifler 


DEATH’S  the  lover  that  I’d  be  taking; 

Wild  and  fickle  and  fierce  is  he. 

Small’s  his  care  if  my  heart  be  breaking — 
Gay  young  Death  would  have  none  of  me. 

Hear  them  clack  of  my  haste  to  greet  him! 

No  one  other  my  mouth  had  kissed. 

I  had  dressed  me  in  silk  to  meet  him — 

False  young  Death  would  not  hold  the  tryst. 

Slow’s  the  blood  that  was  quick  and  stormy. 
Smooth  and  cold  is  the  bridal  bed; 

I  must  wait  till  he  whistles  for  me — 

Proud  young  Death  would  not  turn  his  head. 

I  must  wait  till  my  breast  is  wilted, 

I  must  wait  till  my  back  is  bowed, 

I  must  rock  in  the  corner,  jilted, — 

Death  went  galloping  down  the  road. 

Gone’s  my  heart  with  a  trifling  rover. 

Fine  he  was  in  the  game  he  played — 

Kissed,  and  promised,  and  threw  me  over. 
And  rode  away  with  a  prettier  maid. 


Cun 


A  Very  Short  Song 

ONCE,  when  I  was  young  and  true. 
Someone  left  me  sad — 

Broke  my  brittle  heart  in  two; 

And  that  is  very  bad. 

Love  is  for  unlucky  folk, 

Love  is  but  a  curse. 

Once  there  was  a  heart  I  broke; 

And  that;  I  think,  is  worse. 


A  Well-Worn  Story 


IN  April,  in  April, 

My  one  love  came  along. 

And  I  ran  the  slope  of  my  high  hill 
To  follow  a  thread  of  song. 

His  eyes  were  hard  as  porphyry 
With  looking  on  cruel  lands; 

His  voice  went  slipping  over  me 
Like  terrible  silver  hands. 

Together  we  trod  the  secret  lane 
And  walked  the  muttering  town. 

^  I  wore  my  heart  like  a  wet,  red  stain 
On  the  breast  of  a  velvet  gown. 

In  April,  in  April, 

My  love  went  whistling  by. 

And  I  stumbled  here  to  my  high  hill 
Along  the  way  of  a  lie. 

Now  what  should  I  do  in  this  place 
But  sit  and  count  the  chimes. 

And  splash  cold  water  on  my  face 
And  spoil  a  page  with  rhymes.^ 


Convalescent 


T  T  OW  shall  I  wail,  that  wasn’t  meant  for  weeping 
Love  has  run  and  left  me,  oh,  what  then? 

Dream,  then,  I  must,  who  never  can  be  sleeping; 
hat  if  I  should  meet  Love,  once  again  ? 

What  if  I  met  him,  walking  on  the  highway? 

Let  him  see  how  lightly  I  should  care. 

He’d  travel  his  way,  I  would  follow  my  way; 

Hum  a  little  song,  and  pass  him  there. 

W^hat  if  at  night,  beneath  a  sky  of  ashes. 

He  should  seek  my  doorstep,  pale  with  need? 

There  could  he  lie,  and  dry  would  be  my  lashes; 

Let  him  stop  his  noise,  and  let  me  read. 

Oh,  but  I’m  gay,  that’s  better  off  without  him; 

Would  he’d  come  and  see  me,  laughing  here. 

Lord !  Don’t  I  know  I’d  have  my  arms  about  him, 
Crying  to  him,  “Oh,  come  in,  my  dear!” 


The  Dark  GirVs  Rhyme 


WHO  was  there  had  seen  us 
Wouldn’t  bid  him  run? 
Heavy  lay  between  us 
All  our  sires  had  done. 

There  he  was,  a-springing 
Of  a  pious  raee — 

Setting  hags  a-swinging 
In  a  market-place; 

Sowing  turnips  over 

Where  the  poppies  lay; 

Looking  past  the  clover. 

Adding  up  the  hay; 

Shouting  through  the  Spring  song. 
Clumping  down  the  sod; 
Toadying,  in  sing-song. 

To  a  crabbed  god. 

There  I  was,  that  came  of 
Folk  of  mud  and  flame — 

I  that  had  my  name  of 
Them  without  a  name. 

Up  and  down  a  mountain 
Streeled  my  silly  stock; 

Passing  by  a  fountain. 

Wringing  at  a  rock; 

CIS] 


Devil-gotten  sinners. 

Throwing  back  their  heads; 

Fiddling  for  their  dinners. 
Kissing  for  their  beds. 

Not  a  one  had  seen  us 
Wouldn’t  help  him  flee. 

Angry  ran  between  us 
Blood  of  him  and  me. 

How  shall  I  be  mating 
Who  have  looked  above — 

Living  for  a  hating. 

Dying  of  a  love.^^ 


Epitaph 


The  first  time  I  died,  I  walked  my  ways; 
I  followed  the  file  of  limping  days. 

I  held  me  tall,  with  my  head  flung  up. 

But  I  dared  not  look  on  the  new  moon’s  cup. 

I  dared  not  look  on  the  sweet  young  rain. 

And  between  my  ribs  was  a  gleaming  pain. 

The  next  time  I  died,  they  laid  me  deep. 

They  spoke  worn  words  to  hallow  my  sleep. 

They  tossed  me  petals,  they  wreathed  me  fern. 
They  weighted  me  down  with  a  marble  urn. 

And  I  lie  here  warm,  and  I  lie  here  dry. 

And  watch  the  worms  slip  by,  slip  by. 


1:203 


Light  of  Love 


JOY  stayed  with  me  a  night-— 
Young  and  free  and  fair — • 
And  in  the  morning  light 
He  left  me  there. 

Then  Sorrow  came  to  stay. 

And  lay  upon  my  breast; 

He  walked  with  me  in  the  day. 
And  knew  me  best. 

I’ll  never  be  a  bride. 

Nor  yet  celibate. 

So  I’m  living  now  with  Pride— 
A  cold  bedmate. 

He  must  not  hear  nor  see. 

Nor  could  he  forgive 
That  Sorrow  still  visits  me 
Each  day  I  live. 


Wail 


Love  has  gone  a-rocketing, 
i  That  is  not  the  worst; 

I  could  do  without  the  thing. 
And  not  be  the  first. 


Joy  has  gone  the  way  it  came. 

That  is  nothing  new; 

I  could  get  along  the  same, — 
Many  people  do. 

Dig  for  me  the  narrow  bed. 
Now  I  am  bereft. 

All  my  pretty  hates  are  dead, 
And  what  have  I  left? 


1:223 


The  Satin  Dress 


Needle,  needle,  dip  and  dart, 
Thrusting  up  and  down. 
Where’s  the  man  could  ease  a  heart 
Like  a  satin  gown? 

See  the  stitches  curve  and  crawl 
Round  the  cunning  seams — 
Patterns  thin  and  sweet  and  small 
As  a  lady’s  dreams. 

Wantons  go  in  bright  brocades; 
Brides  in  organdie; 

Gingham’s  for  the  plighted  maid; 
Satin’s  for  the  free ! 

Wool’s  to  line  a  miser’s  chest; 
Crape’s  to  calm  the  old; 

Velvet  hides  an  empty  breast; 
Satin’s  for  the  bold! 

Lawn  is  for  a  bishop’s  yoke; 
Linen’s  for  a  nun; 

Satin  is  for  wiser  folk — 

Would  the  dress  were  done! 

Satin  glows  in  candle-light — 
Satin’s  for  the  proud ! 

They  will  say  who  watch  at  nighty 
‘What  a  fine  shroud!” 


Somebody's  Song 


This  is  what  I  vow; 

He  shall  have  my  heart  to  keep; 
Sweetly  will  we  stir  and  sleep. 

All  the  years,  as  now. 

Swift  the  measured  sands  may  run; 
Love  like  this  is  never  done; 

He  and  I  are  welded  one: 

This  is  what  I  vow. 

This  is  what  I  pray: 

Keep  him  by  me  tenderly; 

Keep  him  sweet  in  pride  of  me. 

Ever  and  a  day; 

Keep  me  from  the  old  distress; 

Let  me,  for  our  happiness. 

Be  the  one  to  love  the  less: 

This  is  what  I  pray. 

This  is  what  I  know: 

Lovers’  oaths  are  thin  as  rain; 

Love’s  a  harbinger  of  pain — 

Would  it  were  not  so! 

Ever  is  my  heart  a-thirst. 

Ever  is  my  love  accurst; 

He  is  neither  last  nor  first — * 

Tills  is  what  I  know. 


1:243 


Anecdote 

SO  silent  I  when  Love  was  by 
He  yawned,  and  turned  away; 
But  Sorrow  clings  to  my  apron-strings^ 
I  have  so  much  to  say. 


C25] 


Braggart 


The  days  will  rally,  wreathing 
Their  crazy  tarantelle; 

And  you  must  go  on  breathing. 

But  I’ll  be  safe  in  hell. 

Like  January  weather, 

The  years  will  bite  and  smart. 

And  pull  your  bones  together 
To  wrap  your  chattering  heart. 

The  pretty  stuflF  you’re  made  of 
Will  crack  and  crease  and  dry. 

The  thing  you  are  afraid  of 
W^ill  look  from  every  eye. 

You  will  go  faltering  after 
The  bright,  imperious  line. 

And  split  your  throat  on  laughter. 
And  burn  your  eyes  with  brine. 

You  will  be  frail  and  musty 
With  peering,  furtive  head. 

Whilst  I  am  young  and  lusty. 

Among  the  roaring  dead. 


Epitaph  for  a  Darling  Lady 

All  her  hours  were  yellow  sands, 

■  Blown  in  foolish  whorls  and  tassels 
Slipping  warmly  through  her  hands; 
Patted  into  little  castles. 

Shiny  day  on  shiny  day 
Tumble  in  a  rainbow  clutter, 

As  she  flipped  them  all  away. 

Sent  them  spinning  down  the  gutter. 

Leave  for  her  a  red  young  rose. 

Go  your  way,  and  save  your  pity; 

She  is  happy,  for  she  knows 
That  her  dust  is  very  pretty. 


To  a  Much  Too  Unfortunate  Lady 

He  will  love  you  presently 

If  you  be  the  way  you  be. 

Send  your  heart  a-skittering. 

He  will  stoop,  and  lift  the  thing. 

Be  your  dreams  as  thread,  to  tease 
Into  patterns  he  shall  please. 

Let  him  see  your  passion  is 
Ever  tenderer  than  his.  .  .  . 

Go  and  bless  your  star  above. 

Thus  are  you,  and  thus  is  Love. 

He  will  leave  you  white  with  woe. 

If  you  go  the  way  you  go. 

If  your  dreams  were  thread  to  weave^ 
He  will  pluck  them  from  his  sleeve. 

If  your  heart  had  come  to  rest. 

He  will  flick  it  from  his  breast. 

Tender  though  the  love  he  bore. 

You  had  loved  a  little  more.  .  .  . 

go  and  curse  your  star. 

Thus  Love  iS;  and  thus  you  are. 


Paths 


I  SHALL  tread,  another  year. 

Ways  I  walked  with  Grief, 

Past  the  dry,  ungarnered  ear 
And  the  brittle  leaf. 

I  shall  stand,  a  year  apart. 

Wondering,  and  shy, 

Thinking,  “Here  she  broke  her  heart; 
Here  she  pled  to  die.” 

I  shall  hear  the  pheasants  call. 

And  the  raucous  geese; 

Down  these  ways,  another  Fall, 

I  shall  walk  with  Peace. 

But  the  pretty  path  I  trod 
Hand-in-hand  with  Love, — 
Underfoot,  the  nascent  sod. 

Brave  young  boughs  above. 

And  the  stripes  of  ribbon  grass 
By  the  curling  way, — 

I  shall  never  dare  to  pass 
To  my  dying  day. 


1:29] 


Hearthside 


Half  across  the  world  from  me 
Lie  the  lands  I’ll  never  see — 

I,  whose  longing  lives  and  dies 
Where  a  ship  has  sailed  away; 

Ij  that  never  close  my  eyes 
But  to  look  upon  Cathay. 

Things  I  may  not  know  nor  tell 
Wait,  where  older  waters  swell; 
Ways  that  flowered  at  Sappho’s  tread. 
Winds  that  sighed  in  Homer’s  strings. 
Vibrant  with  the  singing  dead. 

Golden  with  the  dust  of  wings. 

Under  deeper  skies  than  mine. 

Quiet  valleys  dip  and  shine. 

Where  their  tender  grasses  heal 
Aneient  scars  of  trench  and  tomb 
I  shall  never  walk;  nor  kneel 
Where  the  bones  of  poets  bloom. 

If  I  seek  a  lovelier  part. 

Where  I  travel  goes  my  heart; 

Where  I  stray  my  thought  must  go; 
With  me  wanders  my  desire. 

Best  to  sit  and  watch  the  snow, 

Turn  the  lock,  and  poke  the  fire. 


lso'2 


The  New  Love 


T  F  it  shine  or  if  it  rain^ 

Little  will  I  care  or  know. 
Days,  like  drops  upon  a  pane. 
Slip,  and  join,  and  go. 

At  my  door’s  another  lad; 

Here’s  his  flower  in  my  hair. 
If  he  see  me  pale  and  sad. 
Will  he  see  me  fair.? 

I  sit  looking  at  the  floor. 

Little  will  I  think  or  say 
If  he  seek  another  door; 

Even  if  he  stay. 


Rainy  Night 


Ghosts  of  all  my  lovely  sins. 

Who  attend  too  well  my  pillow. 
Gay  the  wanton  rain  begins; 

Hide  the  limp  and  tearful  willow. 

Turn  aside  your  eyes  and  ears, 

Trail  away  your  robes  of  sorrow. 
You  shall  have  my  further  years, — 
You  shall  walk  with  me  to-morrow. 

I  am  sister  to  the  rain; 

Fey  and  sudden  and  unholy. 
Petulant  at  the  windowpane. 

Quickly  lost,  remembered  slowly. 

I  have  lived  with  shades,  a  shade; 

I  am  hung  with  graveyard  flowers. 
Let  me  be  to-night  arrayed 
In  the  silver  of  the  showers. 

Every  fragile  thing  shall  rust; 

When  another  April  passes 
I  may  be  a  furry  dust. 

Sifting  through  the  brittle  grasses. 

All  sweet  sins  shall  be  forgot 

Who  will  live  to  tell  their  siring? 
Hear  me  now,  nor  let  me  rot 
Wistful  still,  and  still  aspiring. 

1:323 


Ghosts  of  dear  temptations,  heed; 

I  am  frail,  be  you  forgiving. 

See  you  not  that  I  have  need 
To  be  living  with  the  living? 

Sail,  to-night,  the  Styx’s  breast; 

Glide  among  the  dim  processions 
Of  the  exquisite  unblest. 

Spirits  of  my  shared  transgressions. 

Roam  with  young  Persephone, 

Plucking  poppies  for  your  slumber  .  . 
With  the  morrow,  there  shall  be 

One  more  wraith  among  your  number. 


For  a  Sad  Lady 


And  let  her  loves,  when  she  is  dead^ 
Write  this  above  her  bones: 

*‘No  more  she  lives  to  give  us  bread 
Who  asked  her  only  stones.” 


Recurrence 


WE  shall  have  our  little  day. 

Take  my  hand  and  travel  still 
Round  and  round  the  little  way, 
Up  and  down  the  little  hill. 


It  is  good  to  love  again  J 
Scan  the  renovated  skies. 

Dip  and  drive  the  idling  pen. 
Sweetly  tint  the  paling  lies. 

Trace  the  dripping,  piercM  heart. 
Speak  the  fair,  insistent  verse. 
Vow  to  God,  and  slip  apart. 

Little  better,  little  worse. 

Would  we  need  not  know  before 
How  shall  end  this  prettiness; 
One  of  us  must  love  the  more. 

One  of  us  shall  love  the  less. 

Thus  it  is,  and  so  it  goes; 

We  shall  have  our  day,  my  dear. 
Where,  unwilling,  dies  the  rose 
Buds  the  new,  another  year. 


Story  of  Mrs.  W 


My  garden  blossoms  pink  and  white^ 
A  place  of  decorous  murmuring 
Where  I  am  safe  from  August  night 
And  cannot  feel  the  knife  of  spring. 

And  I  may  walk  the  pretty  place 
Before  the  curtsying  hollyhocks 
And  laundered  daisies,  round  of  face — 
Good  little  girls,  in  party  frocks. 

My  trees  are  amiably  arrayed 
In  pattern  on  the  dappled  sky. 

And  I  may  sit  in  filtered  shade 
And  watch  the  tidy  years  go  by. 

And  I  may  amble  pleasantly 

And  hear  my  neighbors  list  their  bones 
And  click  my  tongue  in  sympathy, 

And  count  the  cracks  in  paving  stones. 

My  door  is  grave  in  oaken  strength. 

The  cool  of  linen  calms  my  bed. 

And  there  at  night  I  stretch  my  length 
And  envy  no  one  but  the  dead. 


[36] 


The  Dramatists 


A  STRING  of  shiny  days  we  had, 

A  spotless  sky,  a  yellow  sun; 
And  neither  you  nor  I  was  sad 
When  that  was  through  and  done. 

But  when,  one  day,  a  boy  comes  by 
And  pleads  me  with  your  happiest  vow, 
“There  was  a  lad  I  knew — I’ll  sigh ; 

“I  do  not  know  him  now.” 

And  when  another  girl  shall  pass 
And  speak  a  little  name  I  said. 

Then  you  will  say  “There  was  a  lass— 

I  wonder  is  she  dead.” 

And  each  of  us  will  sigh,  and  start 
A-talking  of  a  faded  year. 

And  lay  a  hand  above  a  heart. 

And  dry  a  pretty  tear. 


August 


WHEN  my  eyes  are  weeds. 

And  my  lips  are  petals,  spinning 
Down  the  wind  that  has  beginning 
Where  the  crumpled  beeches  start 
In  a  fringe  of  salty  reeds ; 

When  my  arms  are  elder-bushes. 

And  the  rangy  lilac  pushes 
Upward,  upward  through  my  heart; 

Summer,  do  your  worst ! 

Light  your  tinsel  moon,  and  call  on 
Your  performing  stars  to  fall  on 
Headlong  through  your  paper  sky; 
Nevermore  shall  I  be  cursed 
By  a  flushed  and  amorous  slattern^ 

With  her  dusty  laces’  pattern 
Trailing,  as  she  straggles  by. 


The  White  Lady 


1  CANNOT  rest,  I  cannot  rest 
In  strait  and  shiny  wood, 

My  woven  hands  upon  my  breast — 
The  dead  are  all  so  good ! 

The  earth  is  cool  across  their  eyes; 

They  lie  there  quietly. 

But  I  am  neither  old  nor  wise. 

They  do  not  welcome  me. 

Where  never  I  walked  alone  before 
I  wander  in  the  weeds; 

And  people  scream  and  bar  the  door. 
And  rattle  at  their  beads. 

We  cannot  rest,  we  never  rest 
Within  a  narrow  bed 
Who  still  must  love  the  living  best — 
Who  hate  the  drowsy  dead! 


css;] 


I  Know  I  Have  Been  Happiest 


1KN0W  I  have  been  happiest  at  your  side; 

But  what  is  done^  is  done,  and  all’s  to  be. 
And  small  the  good,  to  linger  dolefully, — 
Gaily  it  lived,  and  gallantly  it  died. 

I  will  not  make  you  songs  of  hearts  denied. 
And  you,  being  man,  would  have  no  tears  of  me. 
And  should  I  offer  you  fidelity. 

You’d  be,  I  think,  a  little  terrified. 

Yet  this  the  need  of  woman,  this  her  curse: 

To  range  her  little  gifts,  and  give,  and  give. 
Because  the  throb  of  giving’s  sweet  to  bear. 

To  you,  who  never  begged  me  vows  or  verse. 
My  gift  shall  be  my  absence,  while  I  live; 

But  after  that,  my  dear,  I  cannot  swear. 


11403 


Testament 


let  it  be  a  night  of  lyric  rain 
V^And  singing  breezes,  when  my  bell  is  tolled. 
I  have  so  loved  the  rain  that  I  would  hold 
Last  in  my  ears  its  friendly,  dim  refrain. 

I  shall  lie  cool  and  quiet,  who  have  lain 
Fevered,  and  watched  the  book  of  day  unfold. 
Death  will  not  see  me  flinch  j  the  heart  is  bold 
That  pain  has  made  incapable  of  pain. 

Kinder  the  busy  worms  than  ever  love; 

It  will  be  peace  to  lie  there,  empty-eyed. 

My  bed  made  secret  by  the  leveling  showers. 

My  breast  replenishing  the  weeds  above. 

And  you  will  say  of  me,  “Then  has  she  died? 
Perhaps  I  should  have  sent  a  spray  of  flowers.” 


"I  Shall  Come  Back" 

I  SHALL  come  back  without  fanfaronade 
Of  wailing  wind  and  graveyard  panoply; 
But,  trembling,  slip  from  cool  Eternity — 

A  mild  and  most  bewildered  little  shade. 

I  shall  not  make  sepulchral  midnight  raid. 

But  softly  come  where  I  had  longed  to  be 
In  April  twilight’s  unsung  melody, 

And  I,  not  you,  shall  be  the  one  afraid. 

Strange,  that  from  lovely  dreamings  of  the  dead 
I  shall  come  back  to  you,  who  hurt  me  most. 

You  may  not  feel  my  hand  upon  your  head. 

I’ll  be  so  new  and  inexpert  a  ghost. 

Perhaps  you  will  not  know  that  I  am  near, — 
And  that  will  break  my  ghostly  heart,  my  dear. 


i 


Condolence 


They  hurried  here,  as  soon  as  you  had  died, 

Their  faces  damp  with  haste  and  sympathy. 

And  pressed  my  hand  in  theirs,  and  smoothed  my  knee. 
And  clicked  their  tongues,  and  watched  me,  mournful-eyed. 
Gently  they  told  me  of  that  Other  Side — 

How,  even  then,  you  waited  there  for  me. 

And  what  ecstatic  meeting  ours  would  be. 

Moved  by  the  lovely  tale,  they  broke,  and  cried. 

And  when  I  smiled,  they  told  me  I  was  brave. 

And  they  rejoiced  that  I  was  comforted. 

And  left,  to  tell  of  all  the  help  they  gave. 

But  I  had  smiled  to  think  how  you,  the  dead. 

So  curiously  preoccupied  and  grave. 

Would  laugh,  could  you  have  heard  the  things  they  said. 


The  Immortals 


IF  you  should  sail  for  Trebizond,  or  die, 

Or  cry  another  name  in  your  first  sleep, 

Or  see  me  board  a  train,  and  fail  to  sigh. 
Appropriately,  I’d  clutch  my  breast  and  weep. 
And  you,  if  I  should  wander  through  the  door. 
Or  sin,  or  seek  a  nunnery,  or  save 
My  lips  and  give  my  cheek,  would  tread  the  floor 
And  aptly  mention  poison  and  the  grave. 

Therefore  the  mooning  world  is  gratified, 
Quoting  how  prettily  we  sigh  and  swear; 

And  you  and  I,  correctly  side  by  side, 

Shall  live  as  lovers  when  our  bones  are  bare; 
And  though  we  lie  forever  enemies. 

Shall  rank  with  Abelard  and  Heloise. 


1:443 


A  Portrait 


Because  my  love  is  quick  to  come  and 
A  little  here,  and  then  a  little  there — 
What  use  are  any  words  of  mine  to  swear 
My  heart  is  stubborn,  and  my  spirit  slow 
Of  weathering  the  drip  and  drive  of  woe? 
What  is  my  oath,  when  you  have  but  to  bare 
My  little,  easy  loves ;  and  I  can  dare 
Only  to  shrug,  and  answer,  “They  are  so’* 

You  do  not  know  how  heavy  a  heart  it  is 
That  hangs  about  my  neck — a  clumsy  stone 
Cut  with  a  birth,  a  death,  a  bridal-day. 
Each  time  I  love,  I  find  it  still  my  own. 
Who  take  it,  now  to  that  lad,  now  to  this. 
Seeking  to  give  the  wretched  thing  away. 


A 

Si 

Ai 

Sh; 


PART  TWO 


V 


Portrait  of  the  Artist 

OH_,  lead  me  to  a  quiet  cell 

Where  never  footfall  rankles 
And  bar  the  window  passing  well, 
And  gyve  my  wrists  and  ankles. 


Oh,  wrap  my  eyes  with  linen  fair. 
With  hempen  cord  go  bind  me. 
And,  of  your  mercy,  leave  me  there, 
Nor  tell  them  where  to  find  me. 

Oh,  lock  the  portal  as  you  go. 

And  see  its  holts  be  double.  . . . 
Come  back  in  half  an  hour  or  so. 
And  I  will  be  in  trouble. 


Chant  for  Dark  Hours 


SOME  men,  some  men 
Cannot  pass  a 
Book  shop. 

(Lady,  make  your  mind  up,  and  wait  your  life  away.) 

Some  men,  some  men 
Cannot  pass  a 
Crap  game. 

(He  said  he’d  come  at  moonrise,  and  here’s  another  day!) 

Some  men,  some  men 
Cannot  pass  a 
Bar-room. 

(Wait  about,  and  hang  about,  and  that’s  the  way  it  goes.) 

Some  men,  some  men 
Cannot  pass  a 
Woman. 

(Heaven  never  send  me  another  one  of  those!) 

Some  men,  some  men 
Cannot  pass  a 
Golf  course. 

(Read  a  book,  and  sew  a  seam,  and  slumber  if  you  can.) 

Some  men,  some  men 
Cannot  pass  a 
Haberdasher’s. 

(All  your  life  you  wait  around  for  some  damn  man’) 

Cso] 


Unfortunate  Coincidence 

By  the  time  you  swear  youYe  his^ 
Shivering  and  sighing. 

And  he  vows  his  passion  is 
Infinite,  undying — 

Lady,  make  a  note  of  this; 

One  of  you  is  lying. 


tsi] 


Verse  Reporting  Late  Arrival  at  a  Conclusion 


CONSIDER  a  lady  gone  reckless  in  love. 

In  novels  and  plays: 

You  watch  her  proceed  in  a  drapery  of 
A  roseate  haze. 

Acclaimed  as  a  riot,  a  wow,  and  a  scream. 

She  flies  with  her  beau  to  les  Alpes  Maritimes, 

And  moves  in  a  mist  of  a  mutual  dream 
The  rest  of  her  days. 

In  life,  if  you’ll  listen  to  one  who  has  been 
Observant  of  such, 

A  lady  in  love  is  more  frequently  in 
Decidedly  Dutch. 

The  thorn,  so  to  say,  is  revealed  by  the  rose. 

The  best  that  she  gets  is  a  sock  in  the  nose. 

These  authors  and  playwrights,  I’m  forced  to  suppose. 

Don’t  get  around  much, 


152^2 


Inventory 

Four  be  the  things  I  am  wiser  to  know: 
Idleness,  sorrow,  a  friend,  and  a  foe. 

Four  be  the  things  I’d  been  better  without: 
Love,  curiosity,  freckles,  and  doubt. 

Three  be  the  things  I  shall  never  attain: 
Envy,  content,  and  sufficient  champagne. 

Three  be  the  things  I  shall  have  till  I  dies 
Laughter  and  hope  and  a  sock  in  the  eye. 


[53  3 


Now  at  Liberty 

Little  white  love,  your  way  you’ve  taken; 
Now  I  am  left  alone,  alone. 

Little  white  love,  my  heart’s  forsaken. 

(Whom  shall  I  get  by  telephone?) 

Well  do  I  know  there’s  no  returning ; 

Once  you  go  out,  it’s  done,  it’s  done. 

All  of  my  days  are  gray  with  yearning. 
(Nevertheless,  a  girl  needs  fun.) 

Little  white  love,  perplexed  and  weary. 

Sadly  your  banner  fluttered  down. 

Sullen  the  days,  and  dreary,  dreary. 

(Which  of  the  boys  is  still  in  town?) 

Radiant  and  sure,  you  came  a-flying; 

Puzzled,  you  left  on  lagging  feet. 

Slow  in  my  breast,  my  heart  is  dying. 
(Nevertheless,  a  girl  must  eat.) 

Little  white  love,  I  hailed  you  gladly; 

Now  I  must  wave  you  out  of  sight. 

Ah,  but  you  used  me  badlv,  badlv. 

(Who’d  like  to  take  me  out  to-night?) 

All  of  the  blundering  words  I’ve  spoken. 

Little  white  love,  forgive,  forgive. 

Once  you  went  out,  my  heart  fell,  broken. 
(Nevertheless,  a  girl  must  live.) 


Comment 


OH,  life  is  a  glorious  cycle  of  song, 

A  medley  of  extemporanea; 

And  love  is  a  thing  that  can  never  go  wrong  J 
And  I  am  Marie  of  Koumania. 


Plea 


Secrets,  you  said,  would  hold  US  two  apart J 

You  d  have  me  know  of  you  your  least  transgression 
And  so  the  intimate  places  of  your  heart, 

Kneeling,  you  bared  to  me,  as  in  confession. 

Softly  you  told  of  loves  that  went  before, — 

Of  clinging  arms,  of  kisses  gladly  given ; 

Luxuriously  clean  of  heart  once  more. 

You  rose  up,  then,  and  stood  before  me,  shriven. 

When  this,  my  day  of  happiness,  is  through. 

And  love,  that  bloomed  so  fair,  turns  brown  and  brittle. 
There  is  a  thing  that  I  shall  ask  of  you — 

I,  who  have  given  so  much,  and  asked  so  little. 

Some  day,  when  there’s  another  in  my  stead; 

Again  you’ll  feel  the  need  of  absolution. 

And  you  will  go  to  her,  and  bow  your  head. 

And  offer  her  your  past,  as  contribution. 

When  with  your  list  of  loves  you  overcome  her, 

F or  Heaven’s  sake,  keep  this  one  secret  from  her ! 


Pattern 


Leave  me  to  my  lonely  pillow. 

Go,  and  take  your  silly  posies; 
Who  has  vowed  to  wear  the  willow 
Looks  a  fool,  tricked  out  in  roses. 

Wlio  are  you,  my  lad,  to  ease  me? 

Leave  your  pretty  words  unspoken. 
Tinkling  echoes  little  please  me. 

Now  my  heart  is  freshly  broken. 

Over  young  are  you  to  guide  me. 

And  your  blood  is  slow  and  sleeping. 
If  you  must,  then  sit  beside  me.  .  .  . 
Tell  me,  why  have  I  been  weeping? 


De  Profundis 


OH,  is  it,  then,  Utopian 

To  hope  that  I  may  meet  a  man 
Who’ll  not  relate,  in  accents  suave, 
,The  tales  of  girls  he  used  to  have?, 


They  Part 


AND  if,  my  friend,  you’d  have  it  end, 
Tm.  There’s  naught  to  hear  or  tell. 

But  need  you  try  to  black  my  eye 
In  wishing  me  farewell? 


Though  I  admit  an  edgM  wit 
In  woe  is  warranted. 

May  I  be  frank?  .  .  .  Such  words  as 
Are  better  left  unsaid. 


There’s  rosemary  for  you  and  me; 

But  is  it  usual,  dear. 

To  hire  a  man,  and  fill  a  van 
By  way  of  souvenir? 


Ballade  of  a  Great  W eariness 


THERE’S  little  to  have  but  the  things  I  had, 
There’s  little  to  bear  but  the  things  I  bore. 
There’s  nothing  to  carry  and  naught  to  add. 

And  glory  to  Heaven,  I  paid  the  score. 

There’s  little  to  do  hut  I  did  before, 

There’s  little  to  learn  but  the  things  I  know; 
And  this  is  the  sum  of  a  lasting  lore: 

Scratch  a  lover,  and  find  a  foe. 

And  couldn’t  it  be  I  was  young  and  mad 
If  ever  my  heart  on  my  sleeve  I  wore? 

There’s  many  to  claw  at  a  heart  unclad. 

And  little  the  wonder  it  ripped  and  tore. 
There’s  one  that’ll  join  in  their  push  and  roar. 
With  stories  to  jabber,  and  stones  to  throw; 
He’ll  fetch  you  a  lesson  that  costs  you  sore — 
Scratch  a  lover,  and  find  a  foe. 

So  little  I’ll  offer  to  you,  my  lad ; 

It’s  little  in  loving  I  set  my  store. 

There’s  many  a  maid  would  be  flushed  and  glad. 
And  better  you’ll  knock  at  a  kindlier  door. 

I’ll  dig  at  my  lettuce,  and  sweep  my  floor — 
Forever,  forever  I’m  done  with  woe — 

And  happen  I’ll  whistle  about  my  chore, 
“Scratch  a  lover  and  find  a  foe.” 

L’ENVOI: 

Oh,  beggar  or  prince,  no  more,  no  more! 

Be  off  and  away  with  your  strut  and  show. 
The  sweeter  the  apple,  the  blacker  the  core — 
Scratch  a  lover,  and  find  a  foe! 

Ceo: 


Resume 


Razors  pain  you; 

Rivers  are  damp; 
Acids  stain  you; 

And  drugs  cause  cramp. 
Guns  aren’t  lawful; 
Nooses  give; 

Gas  smells  awful; 

You  might  as  well  live. 


Renunciation 


CHLOE’S  hair,  no  doubt,  was 
brighter ; 

Lj^dia’s  mouth  more  sweetly  sad; 
Hebe’s  arms  were  rather  whiter; 

Languorous-lidded  Helen  had 
Eyes  more  blue  than  e’er  the  sky  was 
Lalage’s  was  subtler  stuff; 

Still,  you  used  to  think  that  I  was 
Fair  enough. 

Now  you’re  casting  yearning  glances 
At  the  pale  Penelope; 

Cutting  in  on  Claudia’s  dances ; 

Taking  Iris  out  to  tea. 
lole  you  find  warm-hearted; 

Zoe’s  cheek  is  far  from  rough, — 
Don’t  you  think  it’s  time  we  parted?  . 
Fair  enough! 


C62  3 


Day-Dreams 


WE’D  build  a  little  bungalow. 

If  you  and  I  were  one. 

And  carefully  we’d  plan  it,  so 
We’d  get  the  morning  sun. 

I’d  rise  each  day  at  rosy  dawn 
And  bustle  gaily  down; 

In  evening’s  cool,  you’d  spray  the  lawn 
When  you  came  back  from  town. 

A  little  cook-book  I  should  buy. 

Your  dishes  I’d  prepare; 

And  though  they  came  out  black  and  dry^ 
I  know  you  wouldn’t  care. 

How  valiantly  I’d  strive  to  learn. 

Assured  you’d  not  complain! 

And  if  my  finger  I  should  burn. 

You’d  kiss  away  the  pain. 

I’d  buy  a  little  scrubbing-brush 
And  beautify  the  floors; 

I’d  warble  gaily  as  a  thrush 
About  my  little  chores. 

But  though  I’d  cook  and  sew  and  scrub, 
A  higher  life  I’d  find; 

I’d  join  a  little  women’s  club 
And  cultivate  my  mind. 

Ces] 


If  you  and  I  were  one,  my  dear, 

A  model  life  we’d  lead. 

We’d  travel  on,  from  year  to  year. 
At  no  increase  of  speed. 

Ah,  clear  to  me  the  vision  of 
The  things  that  we  should  do ! 

And  so  I  think  it  best,  my  love. 

To  string  along  as  two. 


The  Veteran 


WHEN  I  was  young  and  bold  and  strong. 

Oh,  right  was  right,  and  wrong  was  wrong 
My  plume  on  high,  my  flag  unfurled, 

I  rode  away  to  right  the  world. 

“Come  out,  you  dogs,  and  fight!”  said  I, 

And  wept  there  was  but  once  to  die. 

But  I  am  old;  and  good  and  bad 
Are  woven  in  a  crazy  plaid. 

I  sit  and  say,  “The  world  is  so; 

And  he  is  wise  who  lets  it  go. 

A  battle  lost,  a  battle  won — 

The  difference  is  small,  my  son.” 

Inertia  rides  and  riddles  me; 

The  which  is  called  Philosophy. 


Prophetic  Soul 


Because  your  eyes  are  slant  and  slow. 
Because  your  hair  is  sweet  to  touch. 

My  heart  is  high  again;  but  oh, 

I  doubt  if  this  will  get  me  much. 


V erse  for  a  Certain  Dog 

SUCH  glorious  faith  as  fills  your  limpid  eyes. 
Dear  little  friend  of  mine,  I  never  knew. 
All-innocent  are  you,  and  yet  all-wise. 

(For  heaven’s  sake,  stop  worrying  that  shoe!) 
You  look  about,  and  all  you  see  is  fair; 

This  mighty  globe  was  made  for  you  alone. 

Of  all  the  thunderous  ages,  you’re  the  heir. 

(Get  off  the  pillow  with  that  dirty  bone!) 

A  skeptic  world  you  face  with  steady  gaze ; 

High  in  young  pride  you  hold  your  noble  head; 
Gayly  you  meet  the  rush  of  roaring  days. 

{Must  you  eat  puppy  biscuit  on  the  bed?) 
Lancelike  your  courage,  gleaming  swift  and  strong. 
Yours  the  white  rapture  of  a  winged  soul. 
Yours  is  a  spirit  like  a  May-day  song. 

(God  help  you,  if  you  break  the  goldfish  bowl !) 

“Whatever  is,  is  good,’’  your  gracious  creed. 

You  wear  your  joy  of  living  like  a  crown. 

Love  lights  your  simplest  act,  your  every  deed. 

(Drop  it,  I  tell  you — put  that  kitten  down!) 

You  are  God’s  kindliest  gift  of  all, — a  friend. 

Your  shining  loyalty  unflecked  by  doubt. 

You  ask  but  leave  to  follow  to  the  end. 

(Couldn’t  you  wait  until  I  took  you  out?) 


Folk  Tune 


OTHER  lads,  their  ways  are  daring; 

Other  lads,  they’re  not  afraid; 
Other  lads,  they  show  they’re  caring; 

Other  lads — they  know  a  maid. 

Wiser  Jock  than  ever  you  were. 

Will’s  with  gayer  spirit  blest, 

Robin’s  kindlier  and  truer, — 

Why  should  I  love  you  the  best.^ 

Other  lads,  their  eyes  are  bolder. 

Young  they  are,  and  strong  and  slim, 
Ned  is  straight  and  broad  of  shoulder, 
Donald  has  a  way  with  him. 

David  stands  a  head  above  you, 

Dick’s  as  brave  as  Lancelot, — 

Why,  ah  why,  then,  should  I  love  you.^ 
Naturally,  I  do  not. 


Godspeed 


OH,  seek,  my  love,  your  newer  way 
I’ll  not  be  left  in  sorrow. 

So  long  as  I  have  yesterday. 

Go  take  your  damned  to-morrow! 


Song  of  Perfect  Propriety 


I  should  like  to  ride  the  seas, 

A  roaring  buccaneer; 

A  cutlass  banging  at  my  knees, 

A  dirk  behind  my  ear. 

And  when  my  captives’  chains  would  clank 
I’d  howl  with  glee  and  drink. 

And  then  fling  out  the  quivering  plank 
And  watch  the  beggars  sink. 

I’d  like  to  straddle  gory  decks. 

And  dig  in  laden  sands. 

And  know  the  feel  of  throbbing  necks 
Between  my  knotted  hands. 

Oh,  I  should  like  to  strut  and  curse 
Among  my  blackguard  crew.  .  .  . 

But  I  am  writing  little  verse, 

As  little  ladies  do. 

Oh,  I  should  like  to  dance  and  laugh 
And  pose  and  preen  and  sway. 

And  rip  the  hearts  of  men  in  half. 

And  toss  the  bits  away. 

I’d  like  to  view  the  reeling  years 
Through  unastonished  eyes. 

And  dip  my  finger-tips  in  tears. 

And  give  my  smiles  for  sighs. 

1:703 


I*d  stroll  beyond  the  ancient  bounds^ 
And  tap  at  fastened  gates. 

And  hear  the  prettiest  of  sounds, — 
The  clink  of  shattered  fates. 

My  slaves  I’d  like  to  bind  with  thongs 
That  cut  and  burn  and  chill.  .  .  • 
But  I  am  writing  little  songs, 

As  little  ladies  will, 


Social  Note 


Lady,  lady,  should  you  meet 

One  whose  ways  are  all  discreet. 
One  who  murmurs  that  his  wife 
Is  the  lodestar  of  his  life. 

One  who  keeps  assuring  you 
That  he  never  was  untrue. 

Never  loved  another  one  .  .  . 

Lady,  lady,  better  run! 


One  Perfect  Pose 


A  SINGLE  flow’r  he  sent  me,  since  we  met. 

All  tenderly  his  messenger  he  chose; 
Deep-hearted,  pure,  with  scented  dew  still  wet — 
One  perfect  rose. 

I  knew  the  language  of  the  floweret; 

*‘My  fragile  leaves,’’  it  said,  “his  heart  enclose.” 
Love  long  has  taken  for  his  amulet 
One  perfect  rose. 

Why  is  it  no  one  ever  sent  me  yet 

One  perfect  limousine,  do  you  suppose? 

Ah  no,  it’s  always  just  my  luck  to  get 
One  perfect  rose. 


1:733 


Ballade  at  Thirty-five 


This,  no  song  of  an  ingenue, 

This,  no  ballad  of  innocence; 

This,  the  rhyme  of  a  lady  who 
Followed  ever  her  natural  bents. 

This,  a  solo  of  sapience. 

This,  a  chantey  of  sophistry. 

This,  the  sum  of  experiments, — 

I  loved  them  until  they  loved  me. 

Decked  in  garments  of  sable  hue. 

Daubed  with  ashes  of  myriad  Lents, 
Wearing  shower  bouquets  of  rue. 

Walk  I  ever  in  penitence. 

Oft  I  roam,  as  my  heart  repents. 
Through  God’s  acre  of  memory. 

Marking  stones,  in  my  reverence, 

*T  loved  them  until  they  loved  me.” 

Pictures  pass  me  in  long  review, — 
Marching  columns  of  dead  events. 

I  was  tender,  and,  often,  true; 

Ever  a  prey  to  coincidence. 

Always  knew  I  the  consequence; 

Always  saw  what  the  end  would  be. 

We’re  as  Nature  has  made  us — hence 
I  loved  them  until  they  loved  me. 

L’ENVOI: 

Princes,  never  I’d  give  offense. 

Won’t  you  think  of  me  tenderly? 

Here’s  my  strength  and  my  weakness,  gents, 
I  loved  them  until  they  loved  me. 

1174] 


The  Thin  Edge 


With  you,  my  heart  is  quiet  here. 

And  all  my  thoughts  are  cool  as  rain. 
I  sit  and  let  the  shifting  year 
Go  by  before  the  window-pane. 

And  reach  my  hand  to  yours,  my  dear  .  .  „ 

I  wonder  what  it’s  like  in  Spain. 


Spring  Song 

(in  the  expected  manner) 


Enter  Aprils  laughingly. 

Blossoms  in  her  tumbled  hair. 

High  of  heart,  and  fancy-free — 

When  was  maiden  half  so  fair? 

Bright  her  eyes  with  easy  tears. 
Wanton-sweet,  her  smiles  for  men. 
“Winter’s  gone,”  she  cries,  “and  here’s 
Spring  again.” 

When  we  loved,  ’twas  April,  too ; 

Madcap  April — urged  us  on. 

Just  as  she  did,  so  did  you — 

Sighed,  and  smiled,  and  then  were  gone. 
How  she  plied  her  pretty  arts. 

How  she  laughed  and  sparkled  then! 
April,  make  love  in  our  hearts 
Spring  again! 


1176] 


Love  Song 

My  own  dear  love,  he  is  strong  and  bold 
And  he  cares  not  what  comes  after. 

His  words  ring  sweet  as  a  chime  of  gold. 

And  his  eyes  are  lit  with  laughter. 

He  is  jubilant  as  a  flag  unfurled — 

Oh,  a  girl,  she’d  not  forget  him. 

My  own  dear  love,  he  is  all  my  world, — ? 

And  I  wish  I’d  never  met  him. 

My  love,  he’s  mad,  and  my  love,  he’s  fleet. 

And  a  wild  young  wood-thing  bore  him! 

The  ways  are  fair  to  his  roaming  feet. 

And  the  skies  are  sunlit  for  him. 

As  sharply  sweet  to  my  heart  he  seems 
As  the  fragrance  of  acacia. 

My  own  dear  love,  he  is  all  my  dreams, — 

And  I  wish  he  were  in  Asia. 

My  love  runs  by  like  a  day  in  June, 

And  he  makes  no  friends  of  sorrows. 

He’ll  tread  his  galloping  rigadoon 
In  the  pathway  of  the  morrows. 

He’U  live  his  days  where  the  sunbeams  start. 
Nor  could  storm  or  wind  uproot  him. 

My  own  dear  love,  he  is  all  my  heart, — 

And  I  wish  somebody ’d  shoot  him. 


Indian  Summer 

IN  youth,  it  was  a  way  I  had 
To  do  my  best  to  please. 

And  change,  with  every  passing  lad. 
To  suit  his  theories. 

But  now  I  know  the  things  I  know. 
And  do  the  things  I  do; 

And  if  you  do  not  like  me  so. 

To  hell,  my  love,  with  you! 


CT8] 


Philosophy 


IF  I  should  labor  through  daylight  and  dark. 
Consecrate,  valorous,  serious,  true. 

Then  on  the  world  I  may  blazon  my  markj 
And  what  if  I  don’t,  and  what  if  I  do  ? 


For  an  Unknown  Lady 


Lady,  if  you’d  slumber  sound, 

Keep  your  eyes  upon  the  ground. 
If  you’d  toss  and  turn  at  night. 

Slip  your  glances  left  and  right. 

Would  the  mornings  find  you  gay. 
Never  give  your  heart  away. 

Would  they  find  you  pale  and  sad. 
Fling  it  to  a  whistling  lad. 

Ah,  but  when  his  pleadings  burn. 

Will  you  let  my  words  return? 

Will  you  lock  your  pretty  lips. 

And  deny  your  finger-tips. 

Veil  away  your  tender  eyes. 

Just  because  some  words  were  wise? 

If  he  whistles  low  and  clear 
When  the  insistent  moon  is  near 
And  the  secret  stars  are  known, — 

Will  your  heart  be  still  your  own 
Just  because  some  words  were  true?  . 
Lady,  I  was  told  them,  too! 


The  Leal 


The  friends  I  made  have  slipped  and  strayed, 
And  who’s  the  one  that  cares? 

A  trifling  lot  and  best  forgot — 

And  that’s  my  tale,  and  theirs. 

Then  if  my  friendships  break  and  bend. 

There’s  little  need  to  cry 
The  while  I  know  that  every  foe 
Is  faithful  till  I  die. 


Finis 


Now  it’s  over,  and  now  it’s  done; 

Why  does  everything  look  the  same? 

Just  as  bright,  the  unheeding  sun, — 

Can’t  it  see  that  the  parting  came? 

People  hurry  and  work  and  swear. 

Laugh  and  grumble  and  die  and  wed, 

Ponder  what  they  will  eat  and  wear, — 

Don’t  they  know  that  our  love  is  dead? 

Just  as  busy,  the  crowded  street; 

Cars  and  wagons  go  rolling  on. 

Children  chuckle,  and  lovers  meet, — 

Don’t  they  know  that  our  love  is  gone? 

No  one  pauses  to  pay  a  tear; 

None  walks  slow,  for  the  love  that’s  through, — 
I  might  mention,  my  recent  dear, 

I’ve  reverted  to  normal,  too. 


[82] 


Words  of  Comfort  to  he  Scratched  on  a  Mirror 

X  TELEN  of  Troy  had  a  wandering  glance j 
A  Sappho’s  restriction  was  only  the  sky; 
Ninon  was  ever  the  chatter  of  France; 

But  oh,  what  a  good  girl  am  II 


Men 


They  hail  you  as  their  morning  star 
Because  you  are  the  way  you  are. 

If  you  return  the  sentiment, 

They’ll  try  to  make  you  different; 

And  once  they  have  you,  safe  and  sound. 
They  want  to  change  you  all  around. 
Your  moods  and  ways  they  put  a  curse  on; 
They’d  make  of  you  another  person. 
They  cannot  let  you  go  your  gait; 

They  influence  and  educate. 

They’d  alter  all  that  they  admired. 

They  make  me  sick,  they  make  me  tired. 


News  Item 


seldom  make  passes 
girls  who  wear  glasseSo 


Song  of  One  of  the  Girls 


Here  in  my  heart  I  am  Helen; 

I’m  Aspasia  and  Hero,  at  least. 

I’m  Judith,  and  Jael,  and  Madame  de  StaH 
I’m  Salome,  moon  of  the  East. 

Here  in  my  soul  I  am  Sappho; 

Lady  Hamilton  am  I,  as  well. 

In  me  Reeamier  vies  with  Kitty  O’Shea, 
With  Dido,  and  Eve,  and  poor  Nell. 

I’m  of  the  glamorous  ladies 

At  whose  beekoning  history  shook. 

But  you  are  a  man,  and  see  only  my  pan. 
So  I  stay  at  home  with  a  book. 


Lwllahy 


SLEEPj  pretty  lady,  the  night  is  enfolding  you, 

Drift,  and  so  lightly,  on  crystalline  streams. 
Wrapped  in  its  perfumes,  the  darkness  is  holding  you; 

Starlight  bespangles  the  way  of  your  dreams. 

Chorus  the  nightingales,  wistfully  amorous; 

Blessedly  quiet,  the  blare  of  the  day. 

All  the  sweet  hours  may  your  visions  be  glamorous, — 
Sleep,  pretty  lady,  as  long  as  you  may. 

Sleep,  pretty  lady,  the  night  shall  be  still  for  you; 

Silvered  and  silent,  it  watches  your  rest. 

Each  little  breeze,  in  its  eagerness,  will  for  you 
Murmur  the  melodies  ancient  and  blest. 

So  in  the  midnight  does  happiness  capture  us; 

Morning  is  dim  with  another  day’s  tears. 

Give  yourself  sweetly  to  images  rapturous, — 

Sleep,  pretty  lady,  a  couple  of  years. 

Sleep,  pretty  lady,  the  world  awaits  day  with  you; 

Girlish  and  golden,  the  slender  young  moon. 

Grant  the  fond  darkness  its  mystical  way  with  you, 
Morning  returns  to  us  ever  too  soon. 

Roses  unfold,  in  their  loveliness,  all  for  you; 

Blossom  the  lilies  for  hope  of  your  glance. 

When  you’re  awake,  all  the  men  go  and  fall  for  you, — 
Sleep,  pretty  lady,  and  give  me  a  chance. 


[87] 


Faut  de  Mieuoo 

Travel,  trouble,  music,  art, 
A  kiss,  a  frock,  a  rhyme, — 
I  never  said  they  feed  my  heart. 
But  still  they  pass  my  time. 


Z88-2 


Roundel 


SHE’S  passing  fair;  but  so  demure  is  she 
So  quiet  is  her  gown,  so  smooth  her  hair, 
That  few  there  are  who  note  her  and  agree 
She’s  passing  fair. 

Yet  when  was  ever  beauty  held  more  rare 
Than  simple  heart  and  maiden  modesty? 

What  fostered  charms  with  virtue  could  compare 

Alas,  no  lover  ever  stops  to  see; 

The  best  that  she  is  offered  is  the  air. 

Yet — if  the  passing  mark  is  minus 
D— 

She’s  passing  fair. 


A  Certain  Lady 

OH,  I  can  smile  for  you,  and  tilt  my  head. 

And  drink  your  rushing  words  with  eager  lips. 
And  paint  my  mouth  for  you  a  fragrant  red. 

And  trace  your  brows  with  tutored  finger-tips. 

When  you  rehearse  your  list  of  loves  to  me. 

Oh,  I  can  laugh  and  marvel,  rapturous-eyed. 

And  you  laugh  back,  nor  can  you  ever  see 

The  thousand  little  deaths  my  heart  has  died. 

And  you  believe,  so  well  I  know  my  part. 

That  I  am  gay  as  morning,  light  as  snow. 

And  all  the  straining  things  within  my  heart 
You’ll  never  know. 

Oh,  I  can  laugh  and  listen,  when  we  meet. 

And  you  bring  tales  of  fresh  adventurings, — 

Of  ladies  delicately  indiscreet. 

Of  lingering  hands,  and  gently  whispered  things. 

And  you  are  pleased  with  me,  and  strive  anew 
To  sing  me  sagas  of  your  late  delights. 

Thus  do  you  want  me — marveling,  gay,  and  true. 

Nor  do  you  see  my  staring  eyes  of  nights. 

And  when,  in  search  of  novelty,  you  stray. 

Oh,  I  can  kiss  you  blithely  as  you  go.  .  .  . 

And  what  goes  on,  my  love,  while  you’re  away. 

You’ll  never  know. 


Observation 


IF  I  don’t  drive  around  the  park, 

I’m  pretty  sure  to  make  my  mark. 
If  I’m  in  bed  each  night  by  ten, 

I  may  get  back  my  looks  again. 

If  I  abstain  from  fun  and  such. 

I’ll  probably  amount  to  much. 

But  I  shall  stay  the  way  I  am. 

Because  I  do  not  give  a  damn. 


Symptom  Recital 


IDO  not  like  my  state  of  mind; 

I’m  bitter,  querulous,  unkind. 

I  hate  my  legs,  I  hate  my  hands, 

I  do  not  yearn  for  lovelier  lands. 

I  dread  the  dawn’s  recurrent  light; 
I  hate  to  go  to  bed  at  night. 

I  snoot  at  simple,  earnest  folk. 

I  cannot  take  the  gentlest  joke. 

I  find  no  peace  in  paint  or  type. 

My  world  is  but  a  lot  of  tripe. 

I’m  disillusioned,  empty-breasted. 
For  what  I  think,  I’d  be  arrested, 

I  am  not  sick,  I  am  not  well. 

My  quondam  dreams  are  shot  to  hell. 
My  soul  is  crushed,  my  spirit  sore; 

I  do  not  like  me  any  more. 

I  cavd,  quarrel,  grumble,  grouse. 

I  ponder  on  the  narrow  house. 

I  shudder  at  the  thought  of  men.  .  . 
I’m  due  to  fall  in  love  again. 


Fighting  Words 


SAY  my  love  is  easy  had. 

Say  I’m  bitten  raw  with  pride, 
Sav  I  am  too  often  sad, — 

Still  behold  me  at  your  side. 

Say  I’m  neither  brave  nor  young. 
Say  I  woo  and  coddle  care. 

Say  the  devil  touched  my  tongue, — 
Still  you  have  my  heart  to  wear. 

But  say  my  verses  do  not  scan. 

And  I  get  me  another  man ! 


Rondeau  Redouble 

(and  scaucely  woeth  the  trouble,  at  that)’ 

The  same  to  me  are  sombre  days  and  gay. 

Though  joyous  dawns  the  rosy  morn,  and  bright. 
Because  my  dearest  love  is  gone  away 
Within  my  heart  is  melancholy  night. 

My  heart  beats  low  in  loneliness,  despite 

That  riotous  Summer  holds  the  earth  in  sway. 

In  cerements  my  spirit  is  bedight; 

The  same  to  me  are  sombre  days  and  gay. 

Though  breezes  in  the  rippling  grasses  play, 

And  waves  dash  high  and  far  in  glorious  might, 

I  thrill  no  longer  to  the  sparkling  day. 

Though  joyous  dawns  the  rosy  morn,  and  bright. 

Ungraceful  seems  to  me  the  swallow^s  flight; 

As  well  might  Heaven’s  blue  be  sullen  gray; 

My  soul  discerns  no  beauty  in  their  sight 
Because  my  dearest  love  is  gone  away. 

Let  roses  fling  afar  their  crimson  spray. 

And  virgin  daisies  splash  the  fields  with  white. 

Let  bloom  the  poppy  hotly  as  it  may. 

Within  my  heart  is  melancholy  night. 

And  this,  oh  love,  my  pitiable  plight 

Whenever  from  my  circling  arms  you  stray; 

This  little  world  of  mine  has  lost  its  light.  .  .  . 

I  hope  to  God,  my  dear,  that  you  can  say 

The  same  to  me. 


r94l 


Autobiography 

OH,  both  my  shoes  are  shiny  new. 
And  pristine  is  my  hat; 

My  dress  is  1922.  .  .  . 

My  life  is  all  like  that. 


css] 


The  Choice 


TTE’D  have  given  me  rolling  lands, 

Houses  of  marble,  and  billowing  farms, 
Pearls,  to  trickle  between  my  hands. 
Smoldering  rubies,  to  circle  my  arms. 

You  you’d  only  a  lilting  song. 

Only  a  melody,  happy  and  high. 

You  were  sudden  and  swift  and  strong, — 
Never  a  thought  for  another  had  I. 

He’d  have  given  me  laces  rare. 

Dresses  that  glimmered  with  frosty  sheen. 
Shining  ribbons  to  wrap  my  hair. 

Horses  to  draw  me,  as  fine  as  a  queen. 

You — you’d  only  to  whistle  low. 

Gaily  I  followed  wherever  you  led. 

I  took  you,  and  I  let  him  go, — 

Somebody  ought  to  examine  my  head! 


Ballade  of  Big  Plans 

She  loved  him.  He  knew  It.  And  love  was  a  game  that  two 
could  play  at, — “Julia  Cane,”  p.  280. 

ONCE  the  orioles  sang  in  chorus. 

Once  the  skies  were  a  cloudless  blue. 

Spring  bore  blossoms  expressly  for  us. 

Stars  lined  up  to  spell  “Y-O-U.” 

All  the  world  wore  a  golden  hue. 

Life  was  a  thing  to  be  bold  and  gay  at; 

Love  was  the  only  game  I  knew. 

And  love  is  a  game  that  two  can  play  at. 

Now  the  heavens  are  scowling  o’er  us. 

Now  the  blossoms  are  pale  and  few. 

Love  was  a  rose  with  thorns  that  tore  us. 

Love  was  a  ship  without  a  crew. 

Love  is  untender,  and  love  is  untrue. 

Love  is  a  moon  for  a  dog  to  bay  at. 

Love  is  the  Lady-That’s-Known-as-Lou, 

And  love  is  a  game  that  two  can  play  at. 

Recollections  can  only  bore  us; 

Now  it’s  over,  and  now  it’s  through. 

Our  day  is  dead  as  a  dinosaurus. 

Other  the  paths  that  you  pursue. 

What  is  the  girl  in  the  case  to  do.^ 

What  is  she  going  to  spend  her  day  at? 

Fun  demands,  at  a  minimum,  two — 

And  love  is  a  game  that  two  can  play  at. 

1:973 


L’ENV  01: 


Prince,  I’m  packing  away  the  rue. 

I’ll  give  them  something  to  shout  “Hooray” 
I’ve  got  somebody  else  in  view: 

And  love  is  a  game  that  two  can  play  at. 


General  Heview  of  the  Sex  Situation 


WOMAN  wants  monogamy; 

Man  delights  in  novelty. 
Love  is  woman’s  moon  and  sun; 
Man  has  other  forms  of  fun. 
Woman  lives  but  in  her  lord; 

Count  to  ten^  and  man  is  bored. 
With  this  the  gist  and  sum  of  it, 
What  earthly  good  can  come  of  it? 


Inscription  for  the  Ceiling  of  a  Bedroom 


Daily  dawns  another  day; 

I  must  upj  to  make  my  way. 
Though  I  dress  and  drink  and  eat. 
Move  my  fingers  and  my  feet. 

Learn  a  little,  here  and  there. 

Weep  and  laugh  and  sweat  and  swear. 
Hear  a  song,  or  watch  a  stage. 

Leave  some  words  upon  a  page. 

Claim  a  foe,  or  hail  a  friend — 

Bed  awaits  me  at  the  end. 

Though  I  go  in  pride  and  strength. 

I’ll  come  back  to  bed  at  length. 
Though  I  walk  in  blinded  woe, 

Back  to  bed  I’m  bound  to  go. 

High  my  heart,  or  bowed  my  head. 

All  my  days  but  lead  to  bed. 

Up,  and  out,  and  on;  and  then 
Ever  back  to  bed  again. 

Summer,  Winter,  Spring,  and  Fall — ^ 
I’m  a  fool  to  rise  at  all! 


Cioo] 


UNIVERSITY  OF  VICTOrdA 

LlI?riAPvY 

Victoria,  B.  C. 


Pictures  in  the  Smoke 

gallant  was  the  first  love,  and  glittering  and  fine; 
The  second  love  was  water,  in  a  clear  white  cup; 
The  third  love  was  his,  and  the  fourth  was  mine; 

And  after  that,  I  always  get  them  all  mixed  up. 


Biographies 


1 

NOW  this  is  the  story  of  Lucy  Brown, 

A  glittering  jewel  in  virtue’s  crown. 

From  earliest  youth,  she  aspired  to  please. 

She  never  fell  down  and  dirtied  her  knees; 

She  put  all  her  pennies  in  savings  banks; 

She  never  omitted  her  “please”  and  “thanks”; 
She  swallowed  her  spinach  without  a  squawk; 
And  patiently  listened  to  Teacher’s  talk; 

She  thoughtfully  stepped  over  worms  and  ants; 
And  earnestly  watered  the  potted  plants; 

She  didn’t  dismember  expensive  toys; 

And  never  would  play  with  the  little  boys. 

And  when  to  young  womanhood  Lucy  came 
Her  mode  of  behavior  was  just  the  same. 

She  always  was  safe  in  her  home  at  dark; 

And  never  went  riding  around  the  park; 

She  wouldn’t  put  powder  upon  her  nose; 

And  petticoats  sheltered  her  spotless  hose; 

She  knew  how  to  market  and  mend  and  sweep ; 
By  quarter-past  ten,  she  was  sound  asleep; 

In  presence  of  elders,  she  held  her  tongue — 

The  wa)-^  that  they  did  when  the  world  was  young. 
And  people  remarked,  in  benign  accord, 

“You’ll  see  that  she  gathers  her  just  reward.” 

nio2  3 


Observe,  their  predictions  were  more  than  fair. 
She  married  an  affluent  millionaire 
So  gallant  and  handsome  and  wise  and  gay. 
And  rated  in  Bradstreet  at  Double  A. 

And  she  lived  with  him  happily  all  her  life, 
And  made  him  a  perfectly  elegant  wife. 


2 

Now  Marigold  Jones,  from  her  babyhood. 

Was  bad  as  the  model  Miss  Brown  was  good. 
She  stuck  out  her  tongue  at  her  grieving  nurse  J 
She  frequently  rifled  her  Grandma’s  purse; 

She  banged  on  the  table  and  broke  the  plates; 
She  jeered  at  the  passing  inebriates; 

And  tore  all  her  dresses  and  ripped  her  socks ; 
And  shattered  the  windows  with  fair-sized  rocks; 
The  words  on  the  fences  she’d  memorize; 

She  blackened  her  dear  little  brother’s  eyes ; 

And  cut  off  her  sister’s  abundant  curls; 

And  never  would  play  with  the  little  girls. 

And  when  she  grew  up — as  is  hardly  strange — > 
Her  manner  of  life  underwent  no  change 
But  faithfully  followed  her  childhood  plan. 

And  once  there  was  talk  of  a  married  man! 

She  sauntered  in  public  in  draperies 
Affording  no  secrecy  to  her  knees; 

She  constantly  uttered  what  was  not  true; 

She  flirted  and  petted,  or  what  have  you; 

And,  tendered  advice  by  her  kind  Mamma, 

Her  answer,  I  shudder  to  state,  was  “Blah!” 

And  people  remarked,  in  sepulchral  tones, 

“You’ll  see  what  becomes  of  Marigold  Jones.” 

[103] 


Observe,  their  predictions  were  more  than  fair. 
She  married  an  affluent  millionaire 
So  gallant  and  handsome  and  wise  and  gay. 
And  rated  in  Bradstreet  at  Double  A. 

And  she  lived  with  him  happily  all  her  life. 
And  made  him  a  perfectly  elegant  wife. 


\:io4>'2 


Nocturne 


Always  I  knew  that  it  could  not  last 

L  (Gathering  clouds,  and  the  snowflakes  flying). 
Now  it  is  part  of  the  golden  past; 

(Darkening  skies,  and  the  night-wind  sighing) 

It  is  but  cowardice  to  pretend. 

Cover  with  ashes  our  love’s  cold  crater, — 

Always  I’ve  known  that  it  had  to  end 
Sooner  or  later. 

Always  I  knew  it  would  come  like  this 

(Pattering  rain,  and  the  grasses  springing). 
Sweeter  to  you  is  a  new  love’s  kiss 

(Flickering  sunshine,  and  young  birds  singing). 
Gone  are  the  raptures  that  once  we  knew. 

Now  you  are  finding  a  new  joy  greater, — 

Well,  I’ll  be  doing  the  same  thing,  too. 

Sooner  or  later. 


Cios] 


Interview 

The  ladies  men  admire,  I’ve  heard. 

Would  shudder  at  a  wicked  word. 

Their  candle  gives  a  single  light; 

They’d  rather  stay  at  home  at  night. 

They  do  not  keep  awake  till  three. 

Nor  read  erotic  poetry. 

They  never  sanction  the  impure. 

Nor  recognize  an  overture. 

They  shrink  from  powders  and  from  paints  .  o  <s 
So  far,  I’ve  had  no  complaints. 


t'loe] 


Song  in  a  Minor  Key 

THERE’S  a  place  I  know  where  the  birds  swing  low. 
And  wayward  vines  go  roaming. 

Where  the  lilacs  nod,  and  a  marble  god 
Is  pale,  in  scented  gloaming. 

And  at  sunset  there  comes  a  lady  fair 
Whose  eyes  are  deep  with  yearning. 

By  an  old,  old  gate  does  the  lady  wait 
Her  own  true  love’s  returning. 

But  the  days  go  by,  and  the  lilacs  die. 

And  trembling  birds  seek  cover; 

Yet  the  lady  stands,  with  her  long  white  hands 
Held  out  to  greet  her  lover. 

And  it’s  there  she’ll  stay  till  the  shadowy  day 
A  monument  they  grave  her. 

She  will  always  wait  by  the  same  old  gate, — 

The  gate  her  true  love  gave  her. 


[107] 


Experience 

SOME  men  break  your  heart  in  two. 
Some  men  fawn  and  flatter. 
Some  men  never  look  at  you; 

And  that  cleans  up  the  matter. 


DOS] 


Neither  Bloody  Nor  Bowed 

They  say  of  me,  and  so  they  should^ 
It  s  doubtful  if  I  come  to  good. 

I  see  acquaintances  and  friends 
Accumulating  dividends. 

And  making  enviable  names 
In  science,  art,  and  parlor  games. 

But  I,  despite  expert  advice. 

Keep  doing  things  I  think  are  nice. 

And  though  to  good  I  never  come — 
Inseparable  my  nose  and  thumb! 


1:1093 


The  Burned  Child 

Love  has  had  his  way  with  me. 

This  my  heart  is  torn  and  maimed 
Since  he  took  his  play  with  me. 

Cruel  well  the  bow-boy  aimed. 

Shot,  and  saw  the  feathered  shaft 
Dripping  bright  and  bitter  red. 

He  that  shrugged  his  wings  and  laughed—? 
Better  had  he  left  me  dead. 

Sweet,  why  do  you  plead  me,  then. 

Who  have  bled  so  sore  of  that? 

Could  I  bear  it  once  again?  .  .  . 

Drop  a  hat,  dear,  drop  a  hat! 


Clio] 


■  1  . 


due 


2  50  0 


3  2775  012  168  20 

Enough  rope  : 


PS  3531  A5855E6 


DATE  DUE 

GAYLORD  M-2 

rRIKTtO  m  U.S.A. 

PS3531 

A5855E6  Parker,  Dorothy- 

Enough  rope.